{"id":19879,"date":"2023-11-04T18:25:26","date_gmt":"2023-11-04T18:25:26","guid":{"rendered":"https:\/\/mysourcefunding.com\/leadership\/for-joe-strechay-netflix-series-all-the-light-we-cannot-see-is-another-step-in-the-right-direction-for-disability-representation-in-hollywood\/"},"modified":"2023-11-04T18:25:27","modified_gmt":"2023-11-04T18:25:27","slug":"for-joe-strechay-netflix-series-all-the-light-we-cannot-see-is-another-step-in-the-right-direction-for-disability-representation-in-hollywood","status":"publish","type":"post","link":"https:\/\/mysourcefunding.com\/?p=19879","title":{"rendered":"For Joe Strechay, Netflix Series \u2018All The Light We Cannot See\u2019 Is Another \u2018Step In The Right Direction\u2019 For Disability Representation In Hollywood"},"content":{"rendered":"
\n

I\u2019ve known him only a few years, but my ties to Joe Strechay are strong.<\/p>\n

First and foremost, we\u2019re both members of the Blind and low vision community. Second, I first learned about him in 2019 when, while covering Apple\u2019s glitzy media event at Apple Park where the company launched Apple TV+ and other services, I learned he was the accessibility consultant on one of TV+\u2019s original launch series See<\/em>. Some time later, in August 2021, I interviewed Strechay for this column about his involvement with See<\/em> and what the show\u2019s heavy emphasis on blindness meant for disability representation on film and television.<\/p>\n

In November 2023, Strechay once again hits this space\u2019s spotlight.<\/p>\n

I recently sat down with Strechay via videoconference to discuss his work in consulting for the new Netflix limited series All The Light We Cannot See<\/em>, which premieres today on the streaming service. The series, which is only four episodes long, is based on Anthony Doerr\u2019s 2014 bestselling book about a Blind girl named Marie-Laure (played by Aria Mia Loberti) who, while hiding out in her uncle\u2019s home in Nazi-occupied France in 1943, forges an unlikely connection with German soldier Werner Pfennig over their shared fascination with radio technology.<\/p>\n

Netflix has an audio-described trailer for the show on YouTube.<\/p>\n

<\/fbs-ad><\/p>\n

Newsweek<\/em> published an \u201cexclusive look behind-the-scenes\u201d of the show.<\/p>\n

Strechay, who\u2019s credited as an associate producer, was succinct in his enthusiasm for All The Light We Cannot See<\/em>, saying working on it was \u201ckind of like a dream.\u201d What\u2019s different about it from other projects he\u2019s worked on, where the aforementioned See<\/em> and the superhero series Daredevil<\/em> were rooted in science fiction, All The Light We Cannot See<\/em> is \u201cbased in reality.\u201d It\u2019s a period piece, rooted in a historical event, that Strechay said was fun and challenging to \u201cwork within that and create accessibility.\u201d A big aspect of his job is figuring out what the actors and the production may need; this included tape on the floor (for first or last mark) or scripts in an accessible format like Braille. Strechay was praiseful of Loberti, telling me working with her was a terrific experience and it was \u201camazing to see the growth in her\u201d during shooting. Moreover, he called her \u201ca brilliant person and quick study\u201d and \u201can amazing actor\u201d who, despite her inexperience, held her own alongside \u201csome of the best actors in the world\u201d in Mark Ruffalo and Hugh Laurie.<\/p>\n

As to how Strechay actually gets his job done, he shared that he has a sighted assistant with him on every set whose job it is to audio describe what\u2019s going on, in the exact same vein All The Light We Cannot See<\/em>\u2014or any other film or TV show, for that matter\u2014would be audio-described to Blind and low vision audiences. A lot of the Blind techniques, notably the way in which Loberti\u2019s character passes her cane between hands, is a genuine depiction of how many Blind people manipulate their canes in the real world. These seemingly innocuous details are, in Strechay\u2019s eyes, implementation details that go a long way in enriching the authenticity of the Blind experience. As mentioned previously, Strechay not only works closely with people like Loberti, he also worked a lot with director Shawn Levy and producer Steven Knight (whom Strechay knew from doing See<\/em>) in making sure everything on- and off-screen was as accessible and representationally earnest as humanly possible.<\/p>\n

\u201cMost of my suggestions are around blindness,\u201d Strechay said of his contributions to film sets. \u201cBut once in a while, I pick up on something [about accessibility] that someone else might not be looking for.\u201d<\/p>\n

Asked to reflect on his career, Strechay said he\u2019s been \u201creally blessed\u201d to be able to do what he does, working with actors and showrunners for big-name services like Prime Video and Apple TV+ and now Netflix. At a high level, he said what he does matters because, in the grand scheme of things, seeing people that look like him in big Hollywood productions makes him feel good and that Blind people \u201cbelong.\u201d My conversation late last month with Strechay coincided with National Disability Employment Awareness Month, and he was candid in saying \u201cthere\u2019s such a disparity in employment for persons with disabilities in general and then you look at the disparity in the entertainment world\u201d and these opportunities provide work<\/em> (and a source of income) for members of the disability community. \u201cAll these networks are making that effort now to audition folks,\u201d Strechay said of the push for diversity vis-a-vis disability.<\/p>\n

A lot of the talking points Strechay and I talked about he echoed in person. Netflix hosted a screening at San Francisco\u2019s Roxie Theater during which the audience\u2014which included yours truly\u2014was shown the first episode of All The Light We Cannot See<\/em>. Following the screening, Strechay appeared onstage for a brief Q&A session in which he talked about working on the show, disability in Hollywood, and more. As our interactions have heretofore been limited to the wonders of the internet, it was cool to see Strechay in the flesh even though, alas, we clearly missed a golden opportunity to finally be introduced in person.<\/p>\n

It\u2019s not insignificant to Strechay to not only work alongside Hollywood types to imbue accessibility, it\u2019s also not insignificant that huge corporate entities like Netflix\u2014and their brethren in Amazon, Apple, Disney, and others\u2014are making real strides in embracing the disability community. This is especially important in terms of the assistive technologies included with content. Like how Deaf and hard-of-hearing people watch TV using closed captions, the obvious analogue for Blind folks like Strechay is audio descriptions. That\u2019s how both groups access information and enjoy media like everyone else. More pointedly, Strechay is most impressed that companies like Netflix (in this case) have not merely adopted technologies like audio descriptions out of compulsion, but rather out of volition<\/em> because they want to increase empathy and inclusiveness on for everyone. It\u2019s a grand gesture.<\/p>\n

\u201cI feel blessed to live in a world where that\u2019s the thing,\u201d he said.<\/p>\n

For Netflix\u2019s Tudum<\/em>, Kara Warner gives an inside look into how the audio descriptions for All The Light We Cannot See<\/em> were created.<\/p>\n

Looking towards the future, Strechay expressed optimism that disability\u2019s depiction on screen is going to grow evermore stronger and more true-to-life. For his own hopes and dreams, he shared with me that he\u2019d love to create his own shows in addition to working on other people\u2019s. He also noted there are \u201camazing filmmakers who are Blind or low vision and with other disabilities in general\u201d who are creating content, saying he\u2019s friends with many of them. For his part, Strechay wants someday to make a sitcom that features disabled people, but write it in such a manner that makes their disabilities not the focal point but rather matter-of-factly. He wants the characters to blend in and be \u201cpart of the world\u201d rather than be outstanding because of<\/em> their conditions. Moreover, he personally is convicted that Loberti\u2014who\u2019d never acted before in her life prior to this\u2014\u201cis going to be breaking down barriers [and will] be playing parts that are designed for sighted folks.\u201d Strechay added people like Marlee Matlin, who co-starred in last year\u2019s breakthrough Best Picture Oscar winner CODA, <\/em>have \u201copened doors for us\u201d to walk through, allowing society writ large to really see what disabled people are truly capable of if given the chance to show it.<\/p>\n

Working on All The Light We Cannot See<\/em> certainly proved profoundly poignant for Levy. He recently told the Los Angeles Times<\/em> the show\u2019s earnest and genuine depiction of blindness \u201cchanged me.\u201d He also noted his prior understanding of the blind experience \u201cwas based largely on shows and movies that represent blindness using largely sighted actors” and thus was \u201cshaped by this accumulation of cliches and tropes.\u201d<\/p>\n

Strechay hopes sighted people face similar enlightenment to Levy\u2019s.<\/p>\n

\u201cI think this [All The Light We Cannot See<\/em>] is a step in the right direction and it\u2019s going to open doors,\u201d Strechay said. \u201cIt\u2019s going to open eyes.\u201d<\/p>\n<\/div>\n

Read the full article here<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

I\u2019ve known him only a few years, but my ties to Joe Strechay are strong. First and foremost, we\u2019re both members of the Blind and low vision community. Second, I first learned about him in 2019 when, while covering Apple\u2019s glitzy media event at Apple Park where the company launched Apple TV+ and other services, […]<\/p>\n","protected":false},"author":1,"featured_media":19880,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","footnotes":""},"categories":[76],"tags":[],"class_list":{"0":"post-19879","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-leadership"},"yoast_head":"\nFor Joe Strechay, Netflix Series \u2018All The Light We Cannot See\u2019 Is Another \u2018Step In The Right Direction\u2019 For Disability Representation In Hollywood | Brandiary<\/title>\n<meta name=\"description\" content=\"I\u2019ve known him only a few years, but my ties to Joe Strechay are strong. 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